Marquetry workshop · Chartres
Lydwine · marquetry
- Brief
- Show a craft that customers had never seen up close.
- Delivered
- An interview portrait of the craftswoman and vertical videos from the same shooting day.
Documentary director · cinematographer
Based in Chartres, France. Filming in Paris and across Europe.
Work
Marquetry workshop · Chartres
City story · coffee shop
About
Today, any image can be generated. But a documentary shot can't be. That's exactly what earns an audience's trust — and makes documentary one of a kind.
I've been making documentaries since 2011. I studied in Alexander Kiselev's workshop and spent six years as a cinematographer at the St. Petersburg Documentary Film Studio. Then I spent ten years working with businesses: sales, advertising, websites, company videos. That's why I think about the audience before I even start filming. Since 2024 I've lived in France, in Chartres.
My pathThe awards went to films I shot as a cinematographer.
How I work
I film what actually happens and build a story from it. A shot doesn't have to be perfect — it has to work.
Before filming, I research your field and the demand: who will watch, what matters to them and where they'll see the video.
If a video won't do you any good right now, I'll tell you straight away. A long partnership matters more to me than a quick job.
Formats and pricing
Three subscription formats and one-off films. You work directly with me — no account managers, no middlemen. Three months minimum (six for Récit), and you can start with a pilot.
Prices apply to contracts signed before 31/03/2027 and stay locked for the whole term.
Coulisses · Behind the scenes
For craftspeople, shops, restaurants and estate agencies.
Portrait
RecommendedFor leaders, companies and experts who need to be recognised.
Récit
6-month minimumFor manufacturers, laboratories, large companies and organisations.
Pilot
Try it first: your first month of Coulisses — two videos for €390 instead of €590, no commitment. For the first five clients.
Prices exclude VAT (VAT not applicable, art. 293 B of the French Tax Code).
Compare plans and termsHow it works
You leave your contact details. I reply within 24 hours and we have a 15–30 minute call.
Reply within 24 h
I study your field, demand and audience. I send you the topics, a first script and the questions in writing — in French. You approve them.
Before filming
When I can, I scout the place and the light in advance. On the day, we simply talk first — and only then do I turn on the camera.
One visit or one day
Editing, colour, sound and French subtitles. Revisions included.
7–10 working days
Testimonials
Stepan has proven to be an exceptionally talented professional with a deep understanding of visual language and an ability to capture the most subtle nuances of the narrative.
Stepan is not just a videographer; he is a storyteller who is passionate about his work.
[Lydwine's words, 2–3 sentences]
Frequently asked questions
You approve the topics and the plan before filming, so there are no surprises. Short videos include one round of revisions, films two.
You use them on your website, on social media and in promoted posts for 5 years, worldwide. TV and outdoor advertising can be added on top, under a separate agreement.
A one-off film needs no subscription. A subscription of three months or more (six for Récit) gives you a noticeably better rate, and you can start with a no-commitment pilot.
Yes. I work in Chartres and Paris, and for a good project I'll come to any city in France or Europe. Travel within 50 km of Chartres is free; further away, travel costs are built into the quote.
It's possible, as an add-on. My main job, as a documentary filmmaker with a marketing background, is to shape the script and format so the video finds its audience. You can add it to any plan — from €90 a month: I write the post and publish the video on your social media.
Weddings, family celebrations and corporate parties. I also don't work with companies that harm the environment. Anything else — let's talk.
My French is still modest: I speak little and listen a lot — not a bad habit for a documentary filmmaker. I prepare the research, topics and questions in writing, in French, and we agree on them in advance. On set I understand what people tell me, and I edit from a transcript. Calls can be in French, English or Russian.
Contact
Leave your name and how to reach you. I'll reply within 24 hours, ask a few questions about your work and suggest a format — or tell you honestly if a video isn't the right move just now.
Request received
I'll reply within 24 hours from stepan@bogatyrev.pro to set up a call.